Exploring Rhetoric Style of Erwin Smith and Armin Arlert in The Anime Series “ATTACK ON TITAN”
DOI:
https://doi.org/10.31004/jh.v4i6.1954Abstract
Many scholars have conducted research on rhetorical style. However, there has been limited investigation into this area by individuals. In the past 6 years, research on rhetorical style has gained significant attention, yet discussions surrounding this research remain scarce. This study examines the rhetorical style employed by two central characters in the anime Attack on Titan: Erwin Smith and Armin Arlert. Specifically, it seeks to analyze the application of Aristotle's rhetorical style ethos, pathos, and logos within their dialogues and monologues. Data collection involved the systematic analysis of transcripts from the anime through three steps: (1) viewing the series, (2) identifying instances of ethos, pathos, and logos in relevant scenes and dialogues, and (3) performing a detailed analysis of these rhetorical elements. A total of 276 rhetorical instances were identified across both characters. The most dominant part of the rhetorical style is Pathos used by Erwin Smith, namely 32 occurrences (34.04%). Ethos and Logos have the same results, namely 31 occurrences (32.97%), covering 62 (33.70%) occurrences of Pathos used by Armin Arlert, as well as the results of Ethos and Logos in Armin Arlert which consist of 60 occurrences (32.96%).The findings reveal that Erwin Smith and Armin Arlert employ rhetoric primarily to evoke strong emotional responses and foster audience empathy with the discussed themes. The analysis highlights the effectiveness of their rhetorical styles in achieving persuasive communication within the anime's narrative framework.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Agustin Praspinsa Napitupulu, Arsen Nahum Pasaribu, Jubilezer Sihite
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgement of the works authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journals published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).